{"id":755,"date":"2018-08-03T21:24:28","date_gmt":"2018-08-03T19:24:28","guid":{"rendered":"http:\/\/sylwester-ambroziak.com\/?page_id=755"},"modified":"2026-03-20T22:30:37","modified_gmt":"2026-03-20T21:30:37","slug":"group","status":"publish","type":"page","link":"https:\/\/sylwester-ambroziak.com\/index.php\/en\/group\/","title":{"rendered":"Group"},"content":{"rendered":"<p>2025<br \/>\n&#8211; &#8222;Figure \u2013 Space \u2013 Process&#8221;, Academy of Fine Arts Museum, Warsaw<\/p>\n<p>2024<br \/>\n&#8211; &#8222;New Expression&#8221;, &#8222;CSW \u2013 Signs of the Times&#8221;, Toru\u0144<\/p>\n<p>2023<br \/>\n&#8211; &#8222;17 km as the crow flies from Rado\u0144 \u2013 return visit&#8221; Oran\u017ceria Gallery, Center of Polish Sculpture, Oro\u0144sko<br \/>\n&#8211; &#8222;Creative Touch III&#8221;, Rozruch Art Gallery, Pozna\u0144<br \/>\n&#8211; &#8222;Foreign Body \/ Own Body&#8221;, Municipal Art Gallery, \u0141\u00f3d\u017a<\/p>\n<p>2022<br \/>\n&#8211; &#8222;Beyond Borders&#8221;, Nord Art 2022, Polish Pavilion, Budelsdorf, Germany \/catalog\/<\/p>\n<p>2021<br \/>\n&#8211; &#8222;The Sanctity of Nature&#8221;, CSW Signs of the Times, Toru\u0144<\/p>\n<p>2020<br \/>\n&#8211; &#8222;The Sanctity of Nature?&#8221;, Municipal Art Gallery, Cz\u0119stochowa<\/p>\n<p>2018<br \/>\n&#8211; &#8222;Independence of Art, Freedom of Artists&#8221;, Society Zach\u0119ta and Cz\u0119stochowa Museum \/catalog\/<br \/>\n\u2013 \u201cArtistry \u2013 100 Years of Polish Sculpture\u201d, Bourse Art Museum, Riga, Latvia \/catalog\/<br \/>\n\u2013 \u201cI See Everything, Hear Nothing\u201d, Upper Silesian Museum, Bytom \/catalog\/<br \/>\n\u2013 \u201cArtistry \u2013 100 Years of Polish Sculpture\u201d, Museum, Centre of Polish Sculpture, Oro\u0144sko \/catalog\/<br \/>\n\u2013 \u201cArtistry \u2013 100 Years of Polish Sculpture\u201d, Armoury of Art, Academy of Fine Arts in Gda\u0144sk \/catalog\/<br \/>\n\u2013 \u201cAnd Why Do I Have Freedom\u201d, Centre for Contemporary Art, Toru\u0144<\/p>\n<p>2017<br \/>\n\u2013 \u201cHomo Prostitutis\u201d, BWA Sok\u00f3\u0142 Contemporary Art Gallery, Nowy S\u0105cz<br \/>\n\u2013 \u201cThe Art of Freedom. Fighting Polish New Expression of the 1980s\u201d, Kuhlhaus, Berlin \/catalog\/<br \/>\n\u2013 \u201cArt Work\u201d, Mystetskyi Arsenal, Kyiv, Ukraine \/catalog\/<br \/>\n\u2013 \u201cArt Work\u201d, Gallery Municipal Art Gallery, Wroc\u0142aw \/catalog\/<br \/>\n\u2013 &#8222;Art Park&#8221;, Podlaska Gallery, Bia\u0142a Podlaska<\/p>\n<p>2016<br \/>\n\u2013 &#8222;Sculpture&#8221;, Municipal Museum, Wroc\u0142aw<br \/>\n\u2013 &#8222;Oro\u0144sko. 17 km as the crow flies.&#8221;, MCSW &#8222;Elektrownia&#8221;, Radom \/catalog\/<br \/>\n\u2013 &#8222;Living Art&#8221;, Museum of Art Jacek Malczewski, Radom \/album\/<br \/>\n\u2013 \u201cAnother World,\u201d BWA Gallery, Ostrowiec \u015awi\u0119tokrzyski<br \/>\n\u2013 \u201cOnce upon a time,\u201d Titanikas Gallery, Vilnius, Lithuania \/catalog\/<br \/>\n\u2013 \u201cOnce upon a time,\u201d Meno Parkas Gallery, Kaunas, Lithuania \/catalog\/<br \/>\n\u2013 \u201cOnce upon a time,\u201d Galreia Civita Nova, Great Amber, Liepaja, Latvia \/catalog\/<\/p>\n<p>2015<br \/>\n\u2013 \u201cNomen Woman,\u201d Municipal Art Gallery, Cz\u0119stochowa \/catalog\/<br \/>\n\u2013 \u201cArt Park,\u201d Podlaska Gallery, Bia\u0142a Podlaska<br \/>\n\u2013 \u201cOn Polish rebellions during the communist era in the work of Edward Dwurnik and thirty other artists,\u201d Museum of Contemporary Art, Radom<br \/>\n\u2013 \u201cSculpture Alphabet,\u201d Museum of Contemporary Sculpture, CRzP, Oro\u0144sko<\/p>\n<p>2014<br \/>\n\u2013 \u201cMuse inquietenti. Ritratte de Domini Inquieti\u201d, Nuova Galleria Morone, Milan, Italy \/catalog\/<br \/>\n\u2013 \u201cDisquietie Muses\u201d, Galleria Geothe, Bolzano, Italy<br \/>\n\u2013 \u201c1990\u201d, City Gallery, Wroc\u0142aw \/catalog\/<br \/>\n\u2013 \u201cArt in Poland around 1989\u201d, Museum of Contemporary Art, Radom<br \/>\n\u2013 \u201cThe Road to Freedom\u201d, P\u0142ock Art Gallery, P\u0142ock<br \/>\n\u2013 \u201cArt Park\u201d, Galeria Podlaska, Bia\u0142a Podlaska<br \/>\n\u2013 \u201cNomen Woman\u201d, \u0141a\u017ania Gallery, Radom \/catalog\/<br \/>\n\u2013 \u201cNomen Woman\u201d, BWA Gallery, Kielce \/catalog\/<br \/>\n\u2013 \u201cSpecimen \u2013 A Sample of the Collection\u201d, CSW Elektrownia, Radom \/catalog\/<\/p>\n<p>2013<br \/>\n\u2013 \u201cDialogue of Place\u201d, Malbork Castle \/catalog\/<\/p>\n<p>2012<br \/>\n\u2013 \u201cSymposium of the Republic 2012\u201d, Centre of Polish Sculpture Oro\u0144sko<br \/>\n\u2013 \u201cSpace > Points\u201d , II Sculpture Biennale, Szentendre, Hungary \/catalogue\/<br \/>\n\u2013 \u201cFive sculptors. Sylwester Ambroziak, Jerzy Bere\u015b, W\u0142adys\u0142aw Hasior, J\u00f3zef \u0141ukomski, and Olgierd Truszkowski, Museum of Contemporary Art, Radom<\/p>\n<p>2011<br \/>\n\u2013 \u201cAlphabet of Sculpture,\u201d Museum of Contemporary Sculpture CRP, Oro\u0144sko<br \/>\n\u2013 \u201cPolitics and Ethics,\u201d Museum of Contemporary Art, Radom<br \/>\n\u2013 \u201c3M Art Festival, Earth \u2013 Material, Medium, Metaphor,\u201d Ostro\u0142\u0119ka Art Gallery, \u201cC\u201d Gallery, Ciechan\u00f3w, \u201cElektor\u201d Gallery, Warsaw<br \/>\n\u2013 \u201cGucio Enchanted,\u201d Pamenkalnio Galerija, Vilnius, Lithuania \/catalog\/<br \/>\n\u2013 \u201cRecycling the Iron Curtain,\u201d Kuhlhaus, Berlin, Germany \/catalog\/<\/p>\n<p>2010<br \/>\n\u2013 \u201cBeruhrugen \u2013 The Human Touch,\u201d German Embassy, \u200b\u200bWarsaw<br \/>\n\u2013 \u201cEast Beast \u2013 Polish New Expression since the 1980s,\u201d Centre for Contemporary Art OSTRALE, Dresden, Germany \/ catalog\/<br \/>\n\u2013 \u201cFestival of High Temperatures,\u201d Sculpture Symposium, Academy of Fine Arts, Wroc\u0142aw<br \/>\n\u2013 \u201cApogee. New Expression 1987,\u201d Centre for Contemporary Art \u201cZnaki Czasu,\u201d Toru\u0144 \/ catalog\/<br \/>\n\u2013 \u201cPlaters&#8217; Plein-Air 2010,\u201d Platers&#8217; Plein-Air \/ catalog\/<br \/>\n\u2013 \u201cArt. Confrontations,\u201d Sculpture Plein-Air, Pole Mokotowskie, Warsaw<br \/>\n\u2013 \u201cDACH-11,\u201d Art Festival, Palace of Arts, Minsk, Belarus<br \/>\n\u2013 \u201cImmagina 12,\u201d Arte In Fiera, Reggio Emilia, Bologna, Italy<br \/>\n\u2013 \u201cPol-Slov,\u201d Perun, Warsaw<br \/>\n\u2013 \u201cPeace With Art In A Word Without Borders,\u201d Castello di Duino, Trieste, Italy \/ catalog\/<\/p>\n<p>2009<br \/>\n\u2013 \u201c20 Years of Galeria Milano,\u201d Galeria Milano, Warsaw<br \/>\n\u2013 \u201cBanana Republic,\u201d MODEM \u2013 Museum of Modern Art, Debrecen, Hungary \/ catalog \/<br \/>\n\u2013 \u201cBanana Republic,\u201d National Museum of Contemporary Art, Bucharest, Romania \/ catalog \/<br \/>\n\u2013 \u201cOn the Way to Freedom \u2013 Art in Poland and Public Affairs 1966-1994,\u201d BWA Municipal Gallery, Bydgoszcz \/ catalog \/<br \/>\n\u2013 \u201cArt Festival \u2013 Stone,\u201d Art Gallery, OCK Ostro\u0142\u0119ka \/ catalog \/<br \/>\n\u2013 \u201cTo My Neighbor\u2026.2009,\u201d Zach\u0119ta National Gallery of Art, Warsaw<br \/>\n\u2013 \u201cSculpture Triennial \u2013 Crisis of a Genre,\u201d Zamek Cultural Center, Pozna\u0144 \/ catalog \/<br \/>\n\u2013 \u201cMeeting,\u201d ceramics workshop, D\u0142uga Gallery, DOK Boles\u0142awiec \/ catalog \/<\/p>\n<p>2008<br \/>\n\u2013 \u201cPertolzhofener Kunstdingertage 2008,\u201d Kunstverein Pertolzhofen e. V., Germany<br \/>\n\u2013 \u201cFlur\u201d 2008&#8243;, Vogtlandisches Holzbildhauersymposium, Erlbach \/ Eubabrunn, Germany<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025 &#8211; &#8222;Figure \u2013 Space \u2013 Process&#8221;, Academy of Fine Arts Museum, Warsaw 2024 &#8211; &#8222;New Expression&#8221;, &#8222;CSW \u2013 Signs of the Times&#8221;, Toru\u0144 2023 &#8211; &#8222;17 km as the crow flies from Rado\u0144 \u2013 return visit&#8221; Oran\u017ceria Gallery, Center of Polish Sculpture, Oro\u0144sko &#8211; &#8222;Creative Touch III&#8221;, Rozruch Art Gallery, Pozna\u0144 &#8211; &#8222;Foreign Body &hellip; <a href=\"https:\/\/sylwester-ambroziak.com\/index.php\/en\/group\/\" class=\"more-link\">Czytaj dalej <span class=\"screen-reader-text\">Group<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-755","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/pages\/755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/comments?post=755"}],"version-history":[{"count":2,"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/pages\/755\/revisions"}],"predecessor-version":[{"id":2951,"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/pages\/755\/revisions\/2951"}],"wp:attachment":[{"href":"https:\/\/sylwester-ambroziak.com\/index.php\/wp-json\/wp\/v2\/media?parent=755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}